ADSR - bug? or me stoopid?
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ADSR - bug? or me stoopid?
I am getting this irritating effect when i use an ADSR to controll an amp...if i have a really slow attack, and a really slow release, if i hold a note for ages so it fades in, then let go and hit the note again, the adsr doesnt fade in from silent, it just starts from wherever the release phase left it...how can i get it so that my notes ALL have slow attacks, and long releases, not matter how fast i press them.
is it a poly issue? i have my note-pitch controller in mono mode...is that the prob?
is it a poly issue? i have my note-pitch controller in mono mode...is that the prob?
I was not quite sure in which way to handle this situation when I wrote the code, but decided the way it works now since it avoids clicks in the sound, and (as you point out) can get around it by using polyphonic mode.
I this works differently in other synths in mono, please let me know.
Perhaps, I could make it in an option in the ADSR.
- KarmaFX
I this works differently in other synths in mono, please let me know.
Perhaps, I could make it in an option in the ADSR.
- KarmaFX
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Thanks mjob.
I avoided the more recent ADSR thread becasue I wanted to stay away from "the per" voice thing. Visually, the ADSR appears to be behaving correctly, and the Release modifies other destinations, such as the cutoff on a filter, just fine.
Karma FX Synth is the best sounding VSTi on my PC, but I can't really use it until the Release problem gets fixed.
I avoided the more recent ADSR thread becasue I wanted to stay away from "the per" voice thing. Visually, the ADSR appears to be behaving correctly, and the Release modifies other destinations, such as the cutoff on a filter, just fine.
Karma FX Synth is the best sounding VSTi on my PC, but I can't really use it until the Release problem gets fixed.
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How come?BKTormey wrote:I avoided the more recent ADSR thread becasue I wanted to stay away from "the per" voice thing. Visually, the ADSR appears to be behaving correctly, and the Release modifies other destinations, such as the cutoff on a filter, just fine.
It's just I'm so used to this behaviour from pretty much every synth I've used, and it avoids any sudden jumps in volume (as well as adding distinction and depth between the notes held).
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basically in karma you can control the anything with the input of anything else (and i mean anything)....if you want to control the amp of an amp module with the output of a osc>notepitch>amp>filter>chorus chain - you can!
you can use step sequencers, adsrs, lfos, hfos, and more, to control the amp of your amplifier module....
you can use step sequencers, adsrs, lfos, hfos, and more, to control the amp of your amplifier module....
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